The Catcher in the Rye by J. D. Salinger (1951). After being dismissed from another prep school, Holden Caulfield—whose slangy, intimate narration defines this novel—has a series of misadventures in Manhattan before going home for Christmas.
The Charterhouse of Parma by Stendhal (1839).
Appreciation of Stendhal’s The Charterhouse of Parma by Francine Prose
The Chateau by William Maxwell (1961). Plus ça change: Harold and Barbara Rhodes, a young American couple, expect smiles and bouquets from their liberated hosts as they vacation in France soon after the end of World War II. Instead, they find—surprise!—European chilliness and inscrutability.
The Color Purple by Alice Walker (1982). As if being black weren’t hard enough, Walker’s Pulitzer Prize– winning novel shows how bad life can get if you’re also a woman. Wondrously, Walker gives voice to the unlikeliest of heroes—a barely literate teenager named Celie who writes letters to God as an escape from life with her monstrous stepfather.
The Comedians by Graham Greene (1966). The poverty and desperation of Papa Doc Duvalier’s Haitian dictatorship inform this cynical tale of failed individuals trying to hustle something from a failed state. The comedians—who hide their true identities behind masks—include Mr. Brown, a failed art swindler and now inheritor of a waning imperial hotel, Mr. Jones, a con man, and the oblivious Mr.
The Complete Aubrey/Maturin novels by Patrick O’Brian (1914-200). Set in the Royal Navy during the Napoleonic Wars, O'Brian's twenty-volume series centers on the enduring friendship between naval officer Jack Aubrey and physician (and spy) Stephen Maturin.
The Conference of the Birds by Farid ud-Din Attar. A lyrical tale about the desire to become one with the divine, this epic allegory by the twelfth-century Sufi mystic follows a group of birds who vow to find the legendary Simurgh bird.
The Confessions of Nat Turner by William Styron (1967). Based on an 1831 uprising, this Pulitzer Prize–winning novel is narrated by Nat, a slave who feels commanded by God to lead a rebellion. Yet even as he plots the murders of white slave-owners, Nat recognizes that all men are slaves to their own passions and greed.
The Confidence-Man: His Masquerade by Herman Melville (1857). Truth, trust, and hope serve as plot and protagonist in this often comic, philosophical novel that anticipated postmodernism by a century.
The Count of Monte Cristo by Alexandre Dumas (1844). The fastest fifteen hundred pages in world literature begins on the wedding day of Edmond Dantès, when he is falsely accused of treason. He is condemned to a remote prison where he finds out who framed him and about a treasure hidden on the Island of Monte Cristo.