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The Canterbury Tales

The Canterbury Tales by Geoffrey Chaucer (1380s?). Not so much a single poem as a gathering of voices ranging from bawdy to pious, this captivating work presents a panoramic view of medieval England. Vivid, direct, and often irresistibly funny, the tales are told by pilgrims making their way to Canterbury to visit the shrine of Saint Thomas Beckett.

The Castle

The Castle by Franz Kafka (1926). K. has been summoned to work as a land surveyor at a giant castle, which he is never allowed to enter. As his confusion grows, he breaks a series of laws he cannot understand. Such is the stuff of dreams—and of Kafka’s final novel, which uses K.’s strange plight to portray the absurd, nightmare logic of the bureaucratic state.

The Chateau

The Chateau by William Maxwell (1961). Plus ça change: Harold and Barbara Rhodes, a young American couple, expect smiles and bouquets from their liberated hosts as they vacation in France soon after the end of World War II. Instead, they find—surprise!—European chilliness and inscrutability.

The Color Purple

The Color Purple by Alice Walker (1982). As if being black weren’t hard enough, Walker’s Pulitzer Prize– winning novel shows how bad life can get if you’re also a woman. Wondrously, Walker gives voice to the unlikeliest of heroes—a barely literate teenager named Celie who writes letters to God as an escape from life with her monstrous stepfather.

The Comedians

The Comedians by Graham Greene (1966). The poverty and desperation of Papa Doc Duvalier’s Haitian dictatorship inform this cynical tale of failed individuals trying to hustle something from a failed state. The comedians—who hide their true identities behind masks—include Mr. Brown, a failed art swindler and now inheritor of a waning imperial hotel, Mr. Jones, a con man, and the oblivious Mr.