Silence

Silence by Shusaku Endo (1969). Set during the early seventeenth century, when Japanese Christians and the European priests serving them were persecuted and forced to renounce their faith, this novel focuses on a Portuguese priest whose travails force him to ponder “the silence of God . . . the feeling that while men raise their voices in anguish God remains with folded arms, silent.”

Sister Carrie

Sister Carrie by Theodore Dreiser (1900). Ambitious farm girl Carrie Meeber comes to Chicago, gaining the favor of a wealthy bar manager named Hurstwood to avoid the sweatshops. The smitten man ditches his family, absconds with company funds, and moves to New York with Carrie. When he can’t find work his star falls as Carrie’s rises in the theater.

Sixty Stories

Sixty Stories by Donald Barthelme (1981). Giant of postmodernism, creator of worlds both surreal and mundane whose only constants are surprise and change, master of brief, epiphanic stories called sudden fiction, Barthelme juggled many balls, wore many hats. Though he wrote four novels, he was best known for his short stories.

Slaughterhouse-Five

Slaughterhouse-Five by Kurt Vonnegut (1969). Part science fiction, part war story, this is the story of Billy Pilgrim, a former World War II prisoner of war who survived the firebombing of Dresden, as did Vonnegut himself. Abducted by visitors from the planet Trafalmadore, Pilgrim comes “unstuck in time” and is thus able to revisit key points in his life and even his future.

Sophie's Choice

Sophie’s Choice by William Styron (1979). This novel is at once the story of a young writer’s coming of age and his slow uncovering of the story of Sophie, his neighbor in a Brooklyn boarding house and a Polish survivor of the Holocaust who has had to make a biblical choice between her children. Comic and tragic, the story moves with symphonic grace toward its final denouement.