By J. Peder Zane
Italo Calvino defined it is as a work that “has never finished saying what it has to say.” Ezra Pound said it possesses “a certain eternal and irrepressible freshness." And the 19th century French literary critic Charles Augustin Sainte-Beuve declared that “[it] has discovered some moral and not equivocal truth, or revealed some eternal passion in that heart where all seemed known and discovered.”
At first glance, these definitions of classic/great books seem on the mark. Under their umbrella of excellence we can fit undisputed works of genius from “The Iliad” and “The Divine Comedy” to “Pride & Prejudice,” “Anna Karenina” and “Invisible Man.”
Unfortunately, they rest on a fallacy – that any and every book that exhibits these qualities will be considered a classic. Read more ...
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At a time when the phrase “literary event” is a quaint anachronism (see Vargas Llosa’s Notes on the Death of Culture), a new novel from Jonathan Franzen may be as close as book lovers can come these days to tweezing a piece of the nation’s attention.
She debuted with a funny and altogether winning novel that includes an 11 year-old girl’s seduction of a 29 year-old man (Nude Men, 1993). She followed that with the darkly humorous, tale of a young woman who is transformed from drama school dropout to Oscar winner with a little help from a man who imprisons her in his cloud-filled home Vapor (1999).
Stephen King is in the news for at least two reasons this week. First, a prison break in upstate New York seems almost an homage to his terrific novel, The Shawshank Redemption, with a twist – in real life, the bad guys really are bad.
We are delighted to welcome the American writer Christopher Bollen as the 165th member of Top Ten land while he is basking in the glow of the warm reviews he is receiving for his second novel, Orient.
This week’s New York Times Book Review offers a Top Ten two-fer as Tom Perrotta reviews Kate Akinson’s new novel, A God in Ruins. (Although our contributors gather often for spirits at the Top Ten Country Club and share days at sea on the Top Ten Yacht (the S.S. Doorstopper), Kate and Tom have never done so together, so there is no conflict of interest.)