Midnight’s Children by Salman Rushdie (1981). Years before The Satanic Verses, Rushdie had already won the Booker Prize for this reverential and blasphemous novel. Two babies born at the precise moment modern India came into existence—one Muslim, one Hindu—are then switched at birth and grow up in the other’s faith.

Mildred Pierce by James M. Cain (1941). After shedding her philandering, unemployed husband, Mildred Pierce works menial jobs to support her two children before discovering a gift for making and selling pies in Depression-era California. She’s a strong woman with two fatal flaws—an attraction to weak men and blind devotion to her monstrously selfish daughter Veda.

Miss Lonelyhearts by Nathanael West (1933). In this short novel on the soul-sickness of mass society, a New York advice columnist with a Christ complex is laid low by his taste for married women and his belief in his own redemptive powers.

Moby-Dick by Herman Melville (1851). This sweeping saga of obsession, vanity, and vengeance at sea can be read as a harrowing parable, a gripping adventure story, or a semiscientific chronicle of the whaling industry.

Molloy, Malone Dies, and The Unnamable, a trilogy by Samuel Beckett (1951–54). Like the runner’s high or Zen meditation, Beckett’s opus yields the transcendence that succeeds tedium and pain. The trilogy chronicles a descent into living death by three narrators: vagabond, cripple, misfit.

Money by Martin Amis (1984). Subtitled “A Suicide Note,” this novel follows the death spiral of hedonistic film director John Self as he wrestles with Hollywood stars, New York producers, a flauntingly unfaithful London girlfriend, an anonymous ca.ller that seems to be coming from inside his head, and the writer Martin Amis.

Montana 1948 by Larry Watson (1993). In language that is as direct and spare as the title, twelve-year-old David Hayden tells of the summer when his father, the sheriff of Mercer County, Montana, is forced to choose between justice and family.

Mother's Milk by Edward St. Aubyn (2006). Writing with the scathing wit and bright perceptiveness, English author Edward St. Aubyn creates a complex family portrait that examines the shifting allegiances between mothers, sons, and husbands. The novel’s perspective ricochets among all members of the Melrose family—the family featured in St.

Mrs. Dalloway by Virginia Woolf (1925). This masterpiece of concision and interior monologue recounts events in the life of Clarissa Dalloway, a delicate, upper-class London wife and mother, as she prepares for a party at her home on a single day in June 1923.

My Ántonia by Willa Cather (1918). Featuring a beleaguered central heroine who endures her father’s suicide, is driven to work in the fields, and is seduced, abandoned, and left pregnant, this ought to be a tale of tragic inevitability. Instead, this beautifully elegiac novel offers an unsentimental paean to the prairie, to domesticity, and to memory itself.