In an Author’s Note appended to her sixth novel, Booth, Karen Joy Fowler explains: “I did not want to write a book about John Wilkes. This is a man who craved attention and has gotten too much of it; I didn’t think he deserved mine. And yet there is no way around the fact that I wouldn’t be writing about his family if he weren’t who he was, if he hadn’t done what he did.”
Sheila Heti never shies away from the big questions. The title of her 2010 novel, for example, asked How Should a Person Be?
Where that bold work of autobiographical fiction merged memoir, philosophy and art to portray the search for meaning big and small—Does life have meaning? Why do I care about petty things?—it was an inward-looking work that focused on grounded struggles.
Nobody actually talks the way Craig Nova’s characters do in his 15th novel – and first mystery – Double Solitaire. And more’s the pity. As this hardboiled yarn drags us down into Hollywood perversion and corruption it lifts us up into a glittering realm of rat-a-tat dialogue where most everybody sounds like a cross between Philip Marlowe and Noel Coward.
Congratulations to Top Ten contributor Percival Everett whose recent novel, The Trees, has been named one of five finalists for the uber-prestigious Pen/Jean Stein Book Award.
One of The Top Ten’s aims is to let esteemed writers be fans – to acknowledge and celebrate their own literary heroes.
The novelist, poet, memoirist, essayist and screenwriter Paul Auster does that in spades with his splendid new biography, Burning Boy: The Life and Work of Stephen Crane. Although he lived just 28 years (1871-1900), Crane remains one of America’s best known writers, thanks, in no small part, to his realist novel, The Red Badge of Courage, which was a staple of high school reading lists. But his star – like those of his contemporaries such as Jack London and Frank Norris – has faded in recent years.
Through complex novels such as The Gold Bug Variations (1991), Operation Wandering Soul (1993, National Book Award Finalist); Gain (1999, James Fenimore Cooper Prize for Best Historical Fiction); The Echo Maker (2006, National Book Award), Orfeo (2014) and The Overstory (2018, Pulitzer Prize), Richard Powers has established himself as one of the
Long acclaimed as one of America’s greatest novelists during his prize-winning career, it’s hard to see how Jonathan Franzen could top himself. But his new novel, Crossroads, may be his best.
Lionel Shriver believes in tough love. Instead of embracing her readers she prods, pinches, pokes and provokes them by exploring incendiary social issues through novels that use unlikable characters to reveal harsh truths.
The title of Michael Griffith’s wonderful new nonfiction book – “The Speaking Stone: Stories Cemeteries Tell” – is misleading.
Cemeteries are silent. It takes a curious mind to find the glimmering pulse in the dusky dead past and a gifted writer to make it breathe and sing.
Griffith accomplishes all that and more as he explores the richness, the wonders and mysteries of life at his local graveyard.
Haitian writer and activist Jacques Roumain (1907-44) straddled, and fused, the worlds of politics and art during his relatively short life.
The grandson of a former president, he was raised in comfort and educated abroad, including in Switzerland, Spain (where he developed an interest in bullfighting), Germany and France.
But his youth was also shaped by Haiti’s subjugation during its long occupation by the United States (1915-34).