(2) Alligator by Shelley Katz (1977). He’s the Moby-Dick of the Everglades—a twenty-foot-long alligator with eighty razor sharp teeth who stalks men for pleasure. Like all legendary beasts, this killer is a symbol of mankind’s weakness and a challenge to those who dream of proving their mettle.

Almost Paradise (1984) and Shining Through (1988) by Susan Isaacs. The best-selling author’s gift for creating strong heroines and crisp dialogue are on display in these engrossing tales of romance.

American Pastoral by Philip Roth (1997). As the close of the 20^th century, the American century, Roth delivered an elegy for all of its promises of prosperity, civic order, and domestic bliss.

Amours de Voyage by Arthur Hugh Clough (1858). A nineteenth-century figure who expressed twentieth-century skepticism about action and belief, Clough set this tragicomic narrative poem during the unsuccessful Italian Revolution of 1848–49.

An American Tragedy by Theodore Dreiser (1925).Clyde Griffiths wants to be more than just the son of a Midwestern preacher. Leaving home, he follows a path toward the American Dream that is littered with greed, adultery, and hypocrisy. The brass ring seems close when he wins a wealthy girl’s love, but then very far away when a factory girl he impregnated demands that he marry her.

Angle of Repose by Wallace Stegner (1971). “It’s perfectly clear that if every writer is born to write one story, that’s my story,” Stegner said of this Pulitzer Prize–winning novel. The narrator is a divorced, wheelchair-bound professor recalling the life of his pioneer grandparents. He was crude and adventurous, she sophisticated and self-possessed.

Another Country by James Baldwin (1962). Set in Greenwich Village, Harlem, and France, among other locales, Another Country is a novel of passions—sexual, racial, political, artistic—that is stunning for its emotional intensity and haunting sensuality, depicting men and women, blacks and whites, stripped of their masks of gender and race by love and hatred at the most elemental and sublime.

Answered Prayers by Truman Capote (1987). Unfinished and perhaps unfinishable at the time of Capote’s death in 1984, this roman à clef was his savage chomp at the hands that fed him—the manicured, diamond-freighted hands of Upper East Side socialites and assorted New York celebrities. Bitchiness, bile, and sexual braggadocio vie in this gossipy, literary vivisection of high society.

Antony and Cleopatra by William Shakespeare (1606). One of Shakespeare’s late Roman plays, Antony and Cleopatra has a sense of fading grandeur about it, as the great warrior Antony succumbs to the exotic luxuries of Egypt and the heady sexual powers of her queen Cleopatra, thus neglecting his duties to Rome.

Anywhere but Here by Mona Simpson (1986). Carolyn Leavitt writes: “A manipulative mother intent on making her daughter a star, journeys with her from Wisconsin to California.  Along the way, she tries on different men for husband potential and struggles not to let the fantasy become too threadbare when some broad daylight is splashed upon it.