Featured List

Susan Vreeland

Susan Vreeland, a master of turning fine art into literature, has died at age 71, following complications from heart surgery.

Her second novel, and breakthough work, Girl in Hyacinth Blue (1999), traces the ownership of a purported Vermeer painting back to World War II and Amsterdam, and still further back to the moment of the work's inspiration.

“True to the spirit of Vermeer, Vreeland uses art as a vehicle for capturing special moments in the lives of ordinary people,” Booklist said in ... read more ...

The Book: The Top Ten

Absalom, Absalom!

Absalom, Absalom! by William Faulkner (1936). Weaving mythic tales of biblical urgency with the experimental techniques of high modernism, Faulkner bridged the past and future. This is the story of Thomas Sutpen, a rough-hewn striver who came to Mississippi in 1833 with a gang of wild slaves from Haiti to build a dynasty.

Aesop's Fables

Aesop’s Fables (c. sixth century b.c.e.). Though their origins are vague—Aesop may have been born a slave in Asia Minor in 620 b.c.e.—these tales use talking animals to personify human virtues and vices. Fables such as “The Hare and the Tortoise,” “The Lion and the Mouse” and “The Fox Who Lost His Tail” show that “slow and steady wins the race,” “appearances can be deceiving,” and “misery loves company.”

Ahab’s Wife

Ahab’s Wife by Sena Jeter Naslund (1999). “Captain Ahab was neither my first husband nor my last” reads the opening line of this novel, which imagines the life of the woman married to the obsessive captain from ­Moby-Dick. And what a life it was—running away from home, posing as a boy to get aboard a whaling ship, tragedy at sea, cannibalism, and then domestic life in New Bedford, Massachusetts.

Airships

Airships by Barry Hannah (1978). Barry Hannah can make readers laugh about the grimmest subject while never for a second losing sight of the essential horror.

All Quiet on the Western Front

All Quiet on the Western Front by Erich Maria Remarque (1929). Remarque drew on his military experience to craft this seminal antiwar novel. At the outset of World War I, Paul Baumer and his fellow Germans are gung-ho. As the senseless bloodbath continues, hope turns to disillusionment, and death comes to seem a welcome reprieve in this gritty and poignant tale.

All the King's Men

All the King’s Men by Robert Penn Warren (1946). In perhaps the most famous American political novel, Warren tracks the unsentimental education of Jack Burden, an upper-class, college-educated lackey to Willie Stark, the populist governor of Louisiana (whom Warren modeled on Huey Long).

Alligator

(2) Alligator by Shelley Katz (1977). He’s the Moby-Dick of the Everglades—a twenty-foot-long alligator with eighty razor sharp teeth who stalks men for pleasure. Like all legendary beasts, this killer is a symbol of mankind’s weakness and a challenge to those who dream of proving their mettle.

American Pastoral

American Pastoral by Philip Roth (1997). As the close of the 20th century, the American century, Roth delivered an elegy for all of its promises of prosperity, civic order, and domestic bliss.

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New List

Peter Blauner

1. Anna Karenina by Leo Tolstoy (1877).

2. The House of Mirth by Edith Wharton (1905).

3. Call It Sleep by Henry Roth (1934).

4. A Rage in Harlem by Chester Himes (1957).

5. What I Loved by Siri Hustvedt (2003).

6. The Mambo Kings Play Songs of Love by Oscar Hijuelos (1989).

7. Falling Angel by William Hjortsberg.

8. Appointment in Samarra by John O’Hara (1934).

9. American Pastoral by Philip Roth (1997).

10. The Big Sleep by Raymond Chandler (1939). 

 

Classic List

Amy Bloom

 

1. The Deptford trilogy by Robertson Davies (1983).
2.Persuasion by Jane Austen (1817).
3. His Dark Materialsby Philip Pullman (1995–2000).
4.The Stone Diaries by Carol Shields (1995).
5.The Known World by Edward P. Jones (2003).
6. The Beggar Maid by Alice Munro (1978).
7. The Plot Against Americaby Philip Roth.
8. The Hours by Michael Cunningham (1998).
9. Fancies and Goodnights by John Collier (1951).
10. Larry’s Party by Carol Shields (1997).

 

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